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Music & Science
@ Durham University
About
Music Psychology Lab
Music Computing Lab
Team
Research
Music & Emotions
Cross-cultural research in music and emotions
The Pleasure of Listening to Sad Music
Musical Properties of Emotions
Music & Memory
Earworms
Music-Evoked Autobiographical Memories
Music & Imagination
Timing, Entrainment, & Embodiment
Interpersonal Entrainment in Music Performance
People
What is musical entrainment?
Work Packages
Research Outputs
Events Media
The Breath of Music
Music Computing
Corpus Studies
Large-scale corpus analysis of historical electronic music
Study
Postgraduate Study
Undergraduate Study
Events
SysMus26
Music Psychology Lab Meetings
Past Events
Music and Science Open Day 2021
Virtual Workshop – The Psychology of Live Music Performance
Workshop Schedule
Abstracts and Bios
Music & Science Symposium 2020
Music & Lifetime Memories: An Interdisciplinary Conference
Call for Papers
Registration & Programme
Travel & Accommodation
Presenter Guidelines
Workshop-Symposium on Research Methods in Music and Emotion
Call for papers
Registration
Programme
Resources
DURMS
Durham Undergraduate Research in Music Science
Submission Guidelines
Volume 1
Volume 2
Volume 3
Volume 4
Volume 5
Volume 6
Volume 7
Volume 8
Editorial Team
Collections & Data
Rhythm Activities for Primary School
Blog Area
2020
September 25, 2020
The two (or more) hats of a music psychologist: Communicating research to different disciplinary audiences
Kelly Jakubowski
July 19, 2020
Research in Lockdown: challenges, adaptions, & looking to the future
Thomas Magnus Lennie
March 8, 2020
The first woman to be awarded PhD at Durham was music psychologist
Tuomas Eerola
February 18, 2020
Investigating the psychology of live music in the field: Student-led projects at CTM 2020, Berlin
Annaliese Micallef Grimaud
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