Volume 3, Autumn 2020
Liila Taruffi & Kelly Jakubowski (p. 1)
Altering Conscious Mind: Where is the Listener’s Attention when Listening to Classical versus Ritual Music?
Ceren Ayyildiz (p. 2-14)
Does the Artist’s Gender have an Effect on the Emotions, Anxiety, and Confidence Levels of the Women in the Audience?
Ceren Ayyildiz, Marlene Elli Everling, & Nikolai Hahn (p. 15-23)
Naomi Cook, Beth Heaps, & Jack O’Gorman* (p. 31-37)
*All authors contributed equally to this article.
Effects of Happy and Sad Music in Relation to Different Genres on Mind- wandering: A Replication Study of Taruffi et al. (2017)
Laura Cooper, Alex Acomb & Loren Ma (p. 38-43)
Megan Cunnington (p. 44-49)
A Comparison of the Effects of Acoustic and Electronic Musical Instrumentation on 2km Maximal-Intensity Cycling
Isabella Elwes (p. 50-60)
Katarzyna Glancey (p. 61-66)
Music & the Mind: A Research Study exploring whether Music Festivals affect the Well-being of Listeners
Beth Hampshire, Ruby Topping, Catalina Burbano Cifuentes, & Ludivine Aubry (p. 67-80)
Durham Undergraduate Research in Music & Science is published by the Durham University Music Department (Durham, UK).
References to any of this work in other student projects or publications should be accompanied by appropriate citations and bibliographic entries, for instance:
Ayyildiz, C. (2020). Altering conscious mind: Where is the listener’s attention when listening to classical versus ritual music? Durham Undergraduate Research in Music & Science, 3, 2-14.