I am very pleased to introduce the Durham Undergraduate Research in Music & Science (DURMS) journal. The inaugural issue comprises the excellent work of 15 of our undergraduate students at Durham University Music Department, who have produced these articles using materials from their coursework for the Music and Science and Psychology of Music modules, or their … Continue reading Inaugural Issue of Durham Undergraduate Research in Music & Science
Blog Post written by Annaliese Micallef Grimaud & Matthias Lichtenfeld 9:23am Coffee #1 Monday morning: windy and rainy Booting the laptop to life and…*ping* The email account showed our new administrative task. That’s us, the new DURMS (Durham Undergraduate Research in Music & Science) editorial assistants. The Durham University Music & Science Lab has published its … Continue reading The Newcomer’s View of Reviewing
Last week, two of our Music & Science Lab members presented their research at the International Conference on Music Perception and Cognition (ICMPC)/European Society for the Cognitive Sciences of Music (ESCOM) in Graz, Austria. For those who missed it (or those who attended but are curious to hear another perspective), here’s a summary of some … Continue reading ICMPC15/ESCOM10 Conference
Although I consider myself a feminist in a fairly broad sense of the term, I can’t say that I’ve necessarily been very proactive in my life thus far in making substantial contributions toward advancing the position of women in society. Gender inequality and gender stereotypes are not something I really thought about much in the … Continue reading Gender (in)equality: Is it an issue in music psychology?
Recently, the music and science team at Durham University were all extremely fortunate to have some fantastic visitors. At the Institute of Advanced Study here at Durham, Professor Bill Thompson (Macquarie University, Australia) spent some time as a research fellow, and gave numerous fascinating and engaging talks; and as if that was not enough, … Continue reading Music and Science Symposium: Cross-Cultural Perspectives
In this blog post we present a few of the highlights of the 2017 European Society for the Cognitive Sciences of Music (ESCOM) conference, written from two perspectives, by Scott Bannister (PhD student) and Kelly Jakubowski (Postdoc). Scott’s perspective: Over the past few weeks, the field of music and science has been busy, with two … Continue reading ESCOM Conference 2017
The Interpersonal Entrainment in Music Performance (IEMP) project is an international collaboration between researchers who share a common interest in how musicians play in time together and how aspects of musical timing/coordination vary cross culturally. As the project involves around 20 researchers from various disciplines including ethnomusicology, music psychology, and computer science, it is not … Continue reading Mind the Discipline Gap